The November Criminals: A Novel, by Sam Munson
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The November Criminals: A Novel, by Sam Munson
Best Ebook PDF Online The November Criminals: A Novel, by Sam Munson
Addison Schact and his best friend Digger become obsessed with investigating the murder of a classmate as they travel through Washington DC’s underworld in this “thoughtful coming-of-age story and engaging teenage noir” (The New York Times).
Soon to be a major motion picture starring Chloë Grace Moretz and Ansel Elgort!
High school senior Addison Schacht is taking the prompt for his college entry essay to the University of Chicago to heart: What are your best and worst qualities? He begins to look back on his life so far and considers what getting into college, selling some pot to his classmates, his relationship with his best friend―not girlfriend―Digger, Virgil’s Aeneid, and his growing obsession with the murder of a classmate, Kevin Broadus, all mean. The more he digs into his own past, the farther he stumbles into the middle of the murder investigation.
Filled with classic adolescent reflection and an intriguing mystery, The November Criminals is “one of the funniest, most heartfelt novels in recent memory―a book every bit as worthy of Mark Twain and J.D. Salinger” (The Chicago Tribune).
The November Criminals: A Novel, by Sam Munson- Published on: 2015-10-13
- Released on: 2015-10-13
- Formats: Audiobook, MP3 Audio, Unabridged
- Original language: English
- Number of items: 1
- Dimensions: 6.75" h x .50" w x 5.25" l,
- Running time: 9 Hours
- Binding: MP3 CD
From Publishers Weekly Munson's funny, stoner-friendly debut follows high school senior Addison Schacht as he stumbles through the Washington, D.C., teenage underworld to investigate a classmate's unsolved murder. Schacht—a small-time pot dealer, consummate anti-social, and Jewish collector of Holocaust jokes—makes for a poor but entertaining detective, and when he places a stoned phone call to his prime suspect, Addison and his friends become caught up in the mystery he set out to solve. As Addison's sleuthing begins to unravel and his life crumbles along with it, his ramblings offer an interesting counter to, and often context for, his misguided attempt to discover the truth. Munson keeps things lightly dark, though his weakness for wandering asides—Addison is just as likely to riff on the Aeneid, Latin syntax, or his favorite movies as he is to discuss his investigation and efforts to outsmart the police—trips up the pace, even if they are what one would expect from a self-absorbed adolescent. The plotting could use some work, but Munson nails the voice. (Apr.) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From Booklist In response to a college-application question, high-school senior Addison produces this scathing mea culpa, which takes the form of a rambling, first-person rant. He’s a pot dealer who prefers to keep acquaintances at an arm’s length—his suppliers, customers, father, and even Digger, a girl who would be his girlfriend if only that had been part of their agreement. After a classmate falls victim to an apparently random homicide, Addison begins an obsessive investigation. His outer blankness of character (I have no personality to speak of, he insists) conceals a hyperintelligence that recklessly leads to a (rather hilarious) midnovel assault on the apparent killer. The book has every earmark of a debut—bratty, precocious, tangential, and in love with its own voice—yet Munson ably reminds us why such qualities are irresistible in the first place. Even his overreliance on italics reflects the fanaticism of a high-school brainiac. The plot’s second half meanders, but if you buy into the voice, the retarded story (as Addison puts it) will be of secondary concern. --Daniel Kraus
Review Addison Schacht, the conflicted hero of The November Criminals, is less interested in committing a crime than solving one. And though no one in the admissions office at the University of Chicago has asked Addison to discuss the murder of his high school classmate Kevin Broadus, he uses the application's essay assignment ('What is your best quality? What is your worst quality?') as a chance to get some things off his chest. The result is no tidy, eager-to-please essay but a book-length spiel - concerning, among other things, Virgil's Aeneid, Holocaust jokes, dope dealing, friends with benefits, classic cinema, adolescent ennui, Latin grammar and syntax, Jewish numerology, anti-Semitism, struggles with guilt, the hypocrisy of liberal politics, race relations in the United States, the philosophical downside of living in D.C. and, oh yeah, who killed Kevin Broadus... The November Criminals is both a thoughtful coming-of-age story and an engaging teenage noir. Think of it as an existential murder mystery for the stoner pre- college set - Keanu Reeves's River's Edge, as written by Camus... Munson is a writer with something to say; and if saying it slows the pace, well, given the brash voice of this audacious new writer, I wonder if he'd have it any other way. The NEW YORK TIMES Munson is a freewheeling stylist and expert mimic, having installed in his narrator, with dead-on accuracy, the highly developed tragic sense that only an over-privileged 18-year-old can effect without irony... As a general rule, book publicists who make breathless comparisons to Holden Caulfield should be caned, but [...] Schacht really is Holden's amoral 21st-century cousin: He shares the profane slanginess and the petulant self-righteousness of Salinger's famous malcontent. The WASHINGTON POST Sam Munson's first novel ... has the inventive, expansive flare of Michael Chabon's best writing and the highbrow-crime intrigue of a Donna Tartt book. The story is a classic coming-of-age tale: getting into college, smoking dope, navigating best-friendship with someone of the opposite sex - oh, and investigating a classmate's murder. VANITY FAIR A clever debut starring a stoner, Gen Y Holden-like teen. Sam Munson's debut novel, narrated by Jewish stoner teen misanthrope Addison Schacht, nails the adolescent voice perfectly while leading us through his stumbling attempt to solve a mystery. Addison's witty, wandering asides reference everything from the Aeneid to Latin syntax to his favourite movies, as he finds himself right in the middle of the mystery he's been trying to solve. The DAILY BEAST In The November Criminals, Sam Munson - a writer of spectacular talent - delivers a hugely entertaining read as well as penetrating social and political commentary ... Munson has written elsewhere about the difficulty he experienced trying to inhabit the mind of 'a full-bore, professional-grade a**hole.' But he needn't have doubted, for a moment, his substantial empathic gifts, which rival Bellow's and Roth's ... Munson has written one of the funniest, most heartfelt novels in recent memory - a book every bit as worthy of Mark Twain and J. D. Salinger - about the goodwill and decency that sometimes shrouds itself in adolescent vulgarity and swagger. The CHICAGO TRIBUNE In response to a college-application question, high-school senior Addison produces this scathing mea culpa, which takes the form of a rambling, first-person rant ... His outer blankness of character ("I have no personality to speak of," he insists) conceals a hyper-intelligence that recklessly leads to a (rather hilarious) mid-novel assault on the apparent killer. The book has every earmark of a debut: bratty, precocious, tangential, and in love with its own voice, yet Munson ably reminds us why such qualities are irresistible in the first place. BOOKLIST Munson's funny, stoner-friendly debut follows high school senior Addison Schacht as he stumbles through the Washington, D.C., teenage underworld to investigate a classmate's unsolved murder. Schacht - a small-time pot dealer, consummate anti-social, and Jewish collector of Holocaust jokes - makes for a poor but entertaining detective, and when he places a stoned phone call to his prime suspect, Addison and his friends become caught up in the mystery he set out to solve. As Addison's sleuthing begins to unravel and his life crumbles along with it, his ramblings offer an interesting counter to, and often context for, his misguided attempt to discover the truth ... Munson nails the voice. PUBLISHER'S WEEKLY Oh, oh, oh. OH! The November Criminals is funny. I started laughing as I read page one and I was still laughing on the very last page ... The whole thing captures the adolescent voice perfectly. Addison wanders about, being disaffected, ridiculously self-aware, rude, self-centred and generally as obnoxious as privileged teenagers can be. It's all very Holden Caulfield but it's not just that: the murder storyline is based on real events. It's wordy and witty and clever. And as up itself as Addison is up himself. You might think that sounds like a criticism but it's not; it's a compliment. I'll say it again. The November Criminals made me laugh. Lots. And that makes it all right by me TheBookBag.co.uk Munson has created a wonderfully sharp, sardonic and engaging protagonist in this black comic take on 21st-century adolescence. Sydney Morning Herald, Pick of the Week If you swear by The Catcher in the Rye, you'll love it. The Stoke Sentinel Addison Schacht is a rebellious, smart high school senior in Washington DC ... What distinguishes this novel is Addison's distinctive voice. It can be rambling, colloquial, verbose, smug, precocious or extremely entertaining. Just like a teenager, in fact. Daily Mail [November Criminals] has the authentic Holden Caulfield tone, updated for the 21st century, like The Catcher in the Rye crossed with The Wire ... one of the pleasures of the novel lies in Addison's witty, worldly prose style, which contrasts comically with how he actually speaks ... His quest to find meaning from Kevin's death plunges him into eloquent darkness and great peril. Financial Times a darkly funny, whip-smart coming-of-age tale Glamour Munson has created a wonderfully sharp, sardonic and engaging protagonist in this black comic take on 21st-century adolescence Townsville Bulletin
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19 of 22 people found the following review helpful. Self Indulgent By JournalStone I know I am in trouble with a book when I find myself counting how many pages I have left to read in order to cross the finish line. Sadly with "The November Criminals" that was the case. I never could relate to this book, the main character or what the author was trying to convey. It reads like an egotistical kid who is so full of himself he doesn't care whether his story is worth telling or not. In several examples Addison (the main character) actually tells us we don't want to hear something, and then commences to tell us anyway. I think he should have taken his own advice on occasion, and kept quiet.Addison is in high school, and a fellow classmate is gunned down while working at a local coffee shop. He is a pudgy fat kid, who we later find out has some secrets. Addison becomes obsessed with the killing and spends countless hours mulling over the details in the hopes of figuring out what happened. He drags along his best friend, Digger, who he happens to have casual sex with on a regular basis. I should correct myself here, since Addison proclaims he has no real friends, Digger must be some sort of sex therapy confidant.As we meander through Addison's life we find out his mother was killed and he is being raised by his father, who isn't a bad guy, but doesn't seem to realize Addison is even around most of the time. The poor dad can't even find the time to go grocery shopping, but he does manage to bang one of his students on occasion. He is a college professor. Addison is pretty self sufficient though, and has been working his own business for a couple of years. He is quite the drug dealer, racking upwards of 12K in profits at his high point. Thanks to a lucky bet on a dog fight towards the end of the book, he actually holds close to 18k before he ends up letting the money go. Ironically he doesn't even want the money. I am not sure this lost character has any idea what he was looking for.The writing is well done but the words don't seem to form any well conceived notion of what a high school kid might really be like. I found the entire story hard to believe and even when I could believe it, I found myself not really caring. It almost read like the author and main character were writing the story just to hear themselves speak. Self indulgent were the two words that popped into my head continuously throughout the entire book. I couldn't begin to figure out what the purpose was, but it didn't seem to be for entertainment.So while this might be the harshest review I have ever written, I can say that the author has loads of promise, and I think if he decided to write a less egotistical story he would be able to weave something fantastic. I would be willing to read his stuff again due to his potential alone, but I wouldn't force myself to finish the book if it ended up being another self indulgent walk down kiss my ass lane. You have to care about your reader to a certain extent; they are the people that will potentially be buying your book after all.Tough book to read, but I did finish it. Hopefully his next endeavor will be a little more conscious of his audience.
22 of 29 people found the following review helpful. Rambling saga of disaffected youth By Alan A. Elsner The book jacket accompanying this novel sets high expectations, evoking comparisons to Holden Caulfield and Huck Finn no less. The portrait of the author, which shows a prematurely balding young man smiling smugly with a cigarette hanging out of his thin lips at a jaunty angle, also presumably makes a statement.The book itself tells the story of Addison Schacht, a high school senior who peddles drugs to classmates and his best friend (not his girlfriend) Digger. Addison lives in Washington DC and attends a gifted program at his local high school. He becomes obsessed with the murder of a classmate whom he hardly knew and mounts an inept investigation of his death that turns dangerous.For a novel like this to fully succeed, the voice of the protagonist has to be truly compelling. Many people have written about adolescent disaffection and the struggles of bright young men who don't quite fit in to make some sense of the world. Addison, for me, didn't quite make it. He's a bit nerdy but not exactly a nerd, a bit of a misfit but not exactly a misfit. After all, he has his drug business and his not quite girlfriend who provides regular sex as well as scintillating companionship. Ultimately, Addison comes over as a know-it-all whiner -- a spoiled kid in rebellion against something, but he's not sure what. There's a slightly unpleasant air of superiority about this book and its narrator -- the same sense I gained from the photo of the author.That said, I still enjoyed the book and valued the glimpse it gave me of the generation it depicts, which like the author must already be approaching its thirties.Some local angles struck me as false. I take the Washington Metro every day and it's never smelled of urine as the author would have it.Munson has talent and needs to keep writing. Now that he's gotten his adolescent angst or rage or whatever it was out of the way with this book, he can grow up and give us a more mature consideration of the world in his next book.
4 of 7 people found the following review helpful. Like, I think, like, it, like, needs, like, to be, like, pared down By S. A. Labbe I bought this book and read it based on a reference to one of its passages--about the excitement of studying Latin at the college level. Unfortunately, this passage appears late in the book, and there were very few others that are as engaging. The only ones that grabbed me were the character's musings on the Aeneid. The most off-putting aspect is the tedious, rambling style. Many people, when speaking, use like every other word, but you don't need to copy this way of speaking verbatim for so long in a novel. Pages of dialogue with like like like. In sum: the book is 258 pages, and is supposed to be a college entrance essay. The main character simply is not interesting enough to last so long. Should have been a long short story of about 50 pages at most.
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