High Crime Area: Tales of Darkness and Dread, by Joyce Carol Oates
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High Crime Area: Tales of Darkness and Dread, by Joyce Carol Oates
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Joyce Carol Oates is an unparalleled investigator of human personality. In these eight stories, she deftly tests the bonds between damaged individuals—brother and sister, teacher and student, two lonesome strangers on a subway—in the fearless prose for which she’s become so celebrated. In the title story, a white, aspiring professor in Detroit tries to shake a black, male shadow during the summer of the city’s 1967 race riots. In “The Rescuer,” a promising graduate student detours to inner city Trenton, New Jersey, to save her brother from a downward spiral, but finds herself entranced by his dangerous new world. Meanwhile, a young woman of a much different breed prowls the New York City subways in search of her perfect man in “Lorelei.” In eight these biting and beautiful pieces, Oates confronts the demons within us. In the end, sometimes it’s the human who wins, and sometimes it’s the demon.
High Crime Area: Tales of Darkness and Dread, by Joyce Carol Oates - Amazon Sales Rank: #1629213 in Books
- Brand: Oates, Joyce Carol
- Published on: 2015-06-09
- Original language: English
- Number of items: 1
- Dimensions: 8.20" h x .80" w x 5.40" l, .0 pounds
- Binding: Paperback
- 224 pages
High Crime Area: Tales of Darkness and Dread, by Joyce Carol Oates From Booklist Oates (Evil Eye, 2013) carries forward the great American dark-tales tradition with spellbinding craft, a cutting female eye, and a keen sense of how the diabolical infiltrates everyday existence, masterfully conjuring realms grotesque, erotic, and ironic. She begins with a neatly feinting revenge story about a “conscientious orderly” and a nun who once ran a notorious orphanage. We meet an ethereal, wealthy widow who naively decides that marijuana will ease her pain, a prescription for mayhem. Oates portrays with forensic exactitude misshapen and abused children and a sexist celebrity writer who gets his comeuppance. “The Rescuer” is a complex and haunting tale about family and race centered on a dutiful young woman trying to help her brother in the drug-poisoned heart of Trenton, New Jersey. Oates extends her inquiry into the racial divide and returns to another of her signature settings, Detroit circa 1967, in the exquisitely frank and distressing title story about the fears of a young, white English teacher. Powerhouse Oates brings both exterior and interior worlds into excruciatingly sharp focus, evoking dread, grim exaltation, and the paralysis of prey. HIGH-DEMAND BACKSTORY: Oates’ potent dark tales are addictive, and her readers’ habit must be fed. --Donna Seaman
Review “These ‘tales of darkness and dread’ won’t put you to sleep, but they’ll give you more interesting nightmares. . . . In a way, every story is a character study . . . sure to focus a basilisk eye on the weak spot that reveals our own ugly impulses and make us defenseless against the terrors of the night.”—New York Times Book Review“[In High Crime Area], there’s little overt violence; it’s all in the mind, as [Oates] slowly tightens the noose. Drenched in clammy atmosphere, Oates’ work explores the heads of both ordinary people and those who are at least a little damaged.”—Seattle Times“This writer is extraordinary not because she produces such huge amount, but because what she produces is so consistently good. And short stories show her invention, economy and control at its best . . . Oates perfectly captures the atmosphere of fear and well-meaning misunderstanding.”—Times (UK)“Scary, brooding and entertaining. . . . The despair is palpable and the tension always high in these stories told in a combination of hyper-realism and emotionally charged suspense. Horrific and creepy, High Crime Area still manages to smartly critique American society and its uneasy feelings on race, sexuality, gender, academia and family dynamics.”—Bookreporter“Oates carries forward the great American dark-tales tradition with spellbinding craft, a cutting female eye, and a keen sense of how the diabolical infiltrates everyday existence. . . . Powerhouse Oates brings both exterior and interior worlds into excruciatingly sharp focus, evoking dread, grim exaltation, and the paralysis of prey. Oates’ potent dark tales are addictive.”—Booklist“Oates’ mastery of imagery and of stream of consciousness enhances the gritty settings and the frailties of her grotesque and pitiable subjects."—Kirkus Reviews“Exquisitely written . . . there is no better stylist alive than Joyce Carol Oates. . . . Read High Crime Area and prepare yourself for eight surprises, the number of stories in the book.”—Huntington News“Oates offers unexpected glimmers of redemption amid the grotesquerie, degradation, and exploitation that fill this collection’s eight tales. . . . Oates is at her best depicting characters who seem perplexed by their own needs, desires, and obligations.”—Publishers Weekly“These stories take the reader to desolate intersections and grimy tenements that mirror the dark reaches of the human soul; the combined elements of literary fiction with genre fiction and true crime offer added audience appeal.”—Library Journal
About the Author Joyce Carol Oates is the author of such national bestsellers as The Falls, Blonde, and We Were the Mulvaneys. Her other titles for The Mysterious Press include High Crime Area and The Corn Maiden and Other Nightmares, which won the 2011 Bram Stoker Award for Short Horror Fiction. She is also the recipient of the National Book Award, for them, and the 2010 President’s Medal for the Humanities.
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Most helpful customer reviews
9 of 9 people found the following review helpful. Horrific and creepy, HIGH CRIME AREA manages to smartly critique American society By Bookreporter Joyce Carol Oates’s latest short story collection, HIGH CRIME AREA, is subtitled “Tales of Darkness and Dread,” and, indeed, there is much darkness and dread in these pages. The eight stories, a couple of them quite short, bring readers to places and moments where characters are found facing fear or horror but are left without context or resolution. The result is Oates’s particular brand of literary anxiety compressed into less than tidy packages. HIGH CRIME AREA is scary, brooding and entertaining.The title story, the final one in the collection, finds a young white professor confronting her own ideas about race and safety while teaching in Detroit in the spring of 1967. The walk from her night class to the campus parking garage is fraught with peril, not in the least because of the illegally purchased handgun she has in her purse to protect her from her students. When a former student insists on walking with her, she must try to decipher his intentions and her own. A strange woman hunts for a man to love her in New York City in “Lorelei.” A twisted version of the siren in Heine’s famous poem, she is a beautiful and desperate creature who, like her namesake, meets a sudden and gruesome end. In contrast to the young women in those two stories, Agnes is an older woman grieving the loss of her husband. In “High,” she medicates herself by starting a marijuana habit that eventually has her seeking out the dangerously attractive man she once taught in a prison English class.In “The Rescuer,” a young graduate student reluctantly goes to help her brother, Harvey, who has recently dropped out of his own studies. She finds him living in a Trenton, New Jersey slum, sick, possibly strung out, and obsessing over language and religion. His only companions are a group of rough dealers who Lydia finds herself strangely drawn to, even as they continue to abuse her brother and begin abusing her as well. Her own fears and weaknesses are exposed as she, too, abandons her college work and leaves safety and security behind to live with Harvey, becoming complicit in the crimes and danger around her.While a few main characters are male, like many other stories by Oates, female vulnerability and anxiety are at the core of these tales. In “The Last Man of Letters,” four women who are presumed by a famous author to be incompetent sexual objects exact revenge, destroying him in the most ironic of ways. Still, many of the female characters succumb to their fears and darkest thoughts. The despair is palpable and the tension always high in these stories told in a combination of hyper-realism and emotionally charged suspense.Horrific and creepy, HIGH CRIME AREA still manages to smartly critique American society and its uneasy feelings on race, sexuality, gender, academia and family dynamics.Reviewed by Sarah Rachel Egelman
3 of 3 people found the following review helpful. Gave it 50 pages or so, then jumped ship By Kelly Let me start by saying that I usually enjoy Joyce Carol Oates. I haven’t read a ton of her work, but I’ve enjoyed the stuff of hers that I’ve read…until now. My first exposure to Oates was as a college freshman; we were assigned “Where Are You Going, Where Have You Been?” I found it chilling then, and thinking back on it still terrifies me. The other work of hers that stands out in my mind is “ID,” featured in The Best American Short Stories 2011, which I also enjoyed. When I saw High Crime Area was an offering on Edelweiss, I thought I’d finally pick up a collection of short work solely by Oates. And I just…couldn’t stay interested. I got about halfway, and although a couple of the stories were somewhat chilling, none of them grabbed me or made a lasting impression. I still think Joyce Carol Oates is a talented writer, but the stories in this collection just weren’t for me. I can’t read well-crafted sentences if they don’t say anything interesting.
4 of 4 people found the following review helpful. CHILLS!! By Darryl W. Siegers I LOVE JCO'S DARKER TALES, AND THIS BOOK WAS NO DISAPPOINTMENT! ARRIVING HOME FROM WORK, IT WAS BUILD A CUP OF COFFEE AND READ THE NEXT STORY! MOST EXCELLENT!!!
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